Wednesday, September 30, 2015

Text World First Run

This was a first run, so the timing makes it a little hard to read


Tuesday, September 29, 2015

A Garland of Words

Illustration by Garth Williams from Charlotte's Web (1952)

At this hour, no people were around the pigpen, so the rat and the spider and the pig were by themselves. 
 "I hope you brought a good one," Charlotte said.  "It is the last word I shall ever write." 
 "Here," said Templeton, unrolling the paper. 
 "What does it say?" asked Charlotte.  "You'll have to read it for me." 
 "It says 'Humble,'" replied the rat. 
 "Humble?" said Charlotte.  "'Humble' has two meanings.  It means 'not proud' and it means 'near the ground." That's Wilbur all over.  He's not proud and he's near the ground." 
Charlotte's Web 
-E. B. White

***
Because I have no more talent connecting letters into a useful phrase than a spider, a rat, or a pig; I am borrowing my literary technique from Templeton in Charlotte's Web (sifting through whatever junk is lying around for phrases with the proper tone).


http://babel.hathitrust.org/cgi/pt?id=njp.32101072916057;view=2up;seq=252



This is a book on the French language for English scholars written in 1793...
I found it full of phrases that might be useful in portraying my characters plight.



  • "The science of numbers"
  • "The stars begin to appear (p. 242); I expected nothing less" 
  • "an illicit convention" (p. 14)
  • "an hyperbolic narration" (p. 14)
  • "an immodest posture" (p. 14)
  • "undoubted success" (p. 15)
  • dureté "an inhuman hardness" (p. 16)
  • "one ought not speak of one's self, but with great modesty"  (p. 192)
  • "take great pains" (p. 171)
  • "give themselves much trouble" (p. 171)
  • "she received me kindly" (p. 171)
  • "he did it through spite"
  • "he submitted to it with the greatest patience"
  • "spend money in ware" (p. 173)
  • "he makes a shift to live by hard labor" (p. 197)
  • "he who shuns company is a stranger to the charms of society" (p. 201)
  • "a merchant of whose honor and probity there can be no doubt" (p. 205)
  • "sometimes a quality is mentioned in the highest degree without comparison" (p.  231)
  • "you have met with more obstacles than you thought" (p. 233)
  • "you have asked for less than was your due" (p.  233)
  • "how cunning soever they appear, they are sometimes deceived" (p.  221)
  • "whatever happy talents a man (or goose) may have, he should cultivate them" (p.  221)
  • "do not rely upon the promises of men, whatever they may be" (p. 221)
  • "People say, people talk, people believe, people fancy, people do not know" (p.  224)
  • "it is said, it is reported, it is assured, it is doubted, it has been proposed it has been resolved." (p.  224)
  • "time goes away swiftly" (p. 52)
naive, hideous, insidious
***

Starting to string these together...

Of Geese and Finance
One should not rely on the dispatch of geese
how cunning soever they appear, incontestable in posture, geese are readily deceived
grift comes on swift heels, through the science of numbers; a purely human abstraction



had not won so much as a thought


***
Maybe something about the tuba as an analogy for the heart. (eg. valves and chambers)
something implying a tuba around a goose neck is a heart on a sleeve... a sign of naivety...

Saturday, September 26, 2015

A better example of magician style editing

the street audience sees something like this:
https://www.youtube.com/watch?v=f3S0UJHMf0E

the footage is spliced with shots in front of actors to give you something like this:
https://www.youtube.com/watch?v=pVhJ8pXKaKQ

Ideas for the Middle

Found Footage
Pieces of animation, found live footage, and off screen action described with dialog or text




Unfolding Interactively
I am thinking about an interactive means of controlling the progression of the story... This post will evolve or dissolve... Not sure which...


This game has a neat way to let the player discover the aesthetic
I was thinking about something gestural... Not sure what I want, I just have an impression...
I like the way the viewer finds the text through the unshaded environment. It reminds me of all the white space in The House at Pooh Corner





The Rhetoric
I want to tell the story in a sort of poetic dialog to shift the story from an amusement to a personal message... Would try for a  Winnie the Pooh  aesthetic with the narrative.
I am looking at older vernaculars for inspiration. I thought I would try to string together a garland from the phrases.

Looking through idiomatic phrases from outdated foreign language text for English scholars has been interesting...
http://archive.org/details/frenchvocabulari00kealuoft/





Sunday, September 20, 2015

Digital Puppet

I have managed to load the goose with texture and the tuba (as a separate object, with no reflection) into Isadora. I have not been able to get the character to animate; it might not be possible in the 3DS format (the only type of 3D file Isadora accepts). So I am using the goose with the mouth as a separate piece.
The retro reflective fabric as a projection screen and a green screen is not going to work as I had hoped. The closer the projector and audience are to the fabric, the closer they have to be to get the effect. And in order for the fabric to be a good green screen, the light from the projector has to be much dimmer than it is when the projector is only a few feet from the fabric (around 20'+ started to look like it might work). This is starting to look like something that will only work on a large scale.

Saturday, September 19, 2015

Tuba-Goose Friends

I haven'e spent much creative time with my nieces, and I realized that I was forgetting our characters, so this post is a list of what I can remember. I will update it as I remember more.

  • A giraffe (I took the story-line from Chuck Taylor from this character). She asked for a giraffe on a shopping trip, and I drew one coming back from a shopping trip with an old shoe, explaining that giraffes are not very good with instructions, and neither is her uncle.
  • A river otter/ air conditioner repair man who uses nothing but artichokes because river otters rarely publish their research in journals for peer review.
  • The otter came up in another drawing looking for a job on craigslist (his AC repair business wasn't doing so well), but the old log that he was using as a laptop did not have internet access (could not log on; otters don't understand the internet), so he was trying to fix it with artichokes.
  • an alligator who tried to make a Christmas tree out of junk laying around the swamp, but it bore little resemblance to a Christmas tree (at least to anyone else; it was pretty much a pile of junk around an old bent axle). He took some critical parts of a boat that wound up crashing and bursting into flames in the background.
  • A buffalo who wanted to drive Nascar and rigged a cattle car to a race car with roped attached to the steering wheel and pedals
  • A platypus who went to the hairstylist to get a haircut to make him look more like a duck
  • Figgle - He was a fig that was pickled. It was a terrible culinary decision, but it worked out really well for the fig because he is never going to rot, and no one is ever going to eat it, so he is going to last forever, immortal... in a jar.

Thursday, September 17, 2015

Anti-Fairytales

The Wolftrap lecture was very insightful; apparently I am making an Anti-Fairy-tale.
"The anti-fairy tale has long existed as a shadow of the traditional fairy tale genre. First categorized as the ‘antimärchen’ in Andre Jolles’ seminal Einfache Formen (c.1930), the anti-tale was found to be contemporaneous with even the oldest known examples of fairy tale collections. Rarely an outward opposition to the traditional form itself, the anti-tale takes aspects of the fairy tale genre and re-imagines, subverts, inverts, deconstructs or satirizes elements of them to present an alternate narrative interpretation, outcome or morality. Red Riding Hood may elope with the wolf. Or Bluebeard’s wife is not interested in his secret chamber. Snow White’s stepmother gives her own account of events and Cinderella does not exactly find the prince charming."


Matters of Geese and Finance

Some Thoughts about the middle...

The 2nd movie would probably more effectively build an affection if it showed the goose enduring injustice. Maybe the off screen action from the 1st with the goose trying to get the food, getting confused, getting ripped off, or something of that nature.
I was thinking about making an illustration that suggests the subtext of each chapter.
A couple titles I am kicking around:
Geese are Terrible With Directions
Geese and Instruction
When you Give a Goose a List
Encoding, Storage, and Retrieval
maybe an approach more like A. A. Milne
...Of Geese and Lists
Matters of Geese and Finance

Monday, September 14, 2015

Structure and Attachment

Things that will help build an attachment

Ordeal builds attachment with admiration
Heroes on a mythical journey overcome an ordeal.
Ideas for application:
Should the story begin with Tuba-Goose as a normal goose, and his journey is into the human world?
Should I try to build attachment through another ordeal.

His ordeal the struggle to fit in (gain respect?). He attains a piece, realizes will never be real, and abandons it. This should be an acceptance of defeat, not a victory.

Gilgamesh breaks the rules:
http://genrehacks.blogspot.com/2013/11/real-myths-are-weird.html


Witnessing injustice builds empathy for the victim
Examples:
https://en.wikipedia.org/wiki/Brother%27s_Keeper_(1992_film)
https://www.pinterest.com/pin/6966574395030477/
Ideas for application:
Maybe if the audience sees Tuba-Goose enduring poor treatment...

Lingering question... Why do people love Travers' Mary Poppins? She does not go through an ordeal, she inflicts one, and you never feel sorry for her, but you feel a loss when she leaves. She is sort of like Yoda.

Application of the "Hero's Journey" to my Story

Christopher Vogler's model

The twelve stages of the hero's journey monomyth following the summary by Christopher Vogler (originally compiled in 1985 as a Disney studio memo): 
  1. the ordinary world, 
  2. the call to adventure, 
  3. refusal of the call, 
  4. meeting with the mentor 
  5. crossing the threshold to the "special world" 
  6. tests, allies and enemies
  7. approach to the innermost cave
  8. the ordeal
  9. reward
  10. the road back
  11. the resurrection
  12. return with the elixir
Features:

1. Destiny calls hero to journey
  • Often in the depths of despair
  • Luke's house is burned down
  • bad things happen to good people
2. Crisis creates danger and opportunity
  • reveals something about character that he did not know
  • move from one world into another
  • adopts responsibility for own adventure/journey
3. Transformation

  • hero accepts the need to change self

Heroes on a mythical journey overcome an ordeal.

Should the story begin with Tuba-Goose as a normal goose, and his journey is into the human world?
Should I try to build attachment through another ordeal.

His ordeal the struggle to fit in (gain respect?). He attains a piece, realizes will never be real, and abandons it. This should be an acceptance of defeat, not a victory.

Writers of Children's Literature with a Similar Philosophy

Sophie Blackall: Darkness and Optimism in Children’s Storytelling
"Children are very subversive creatures"
-Sophie Blackall

What I have read of her work is beautiful and heart breaking, but there is not a lot of character development (the problem I am wrestling with right now).

The Whale at Coney Island


Maria Popova makes wisdom "of the old-fashioned sort" through experiential children's media in Brain Pickings


Neil Gaim on why there is no such thing as “children’s” books

Saturday, September 12, 2015

The "Empty Folders" Approach

Read chapter 3 of Wolcott's book for writers. The technique the author used to keep a group of fieldworkers productive on a long term writing task. He suggested they create a table of contents, then prepare a hanging folder for each chapter. The folders would hold memos and relevant data at first, but evolve into chapters as the work progressed.
I am am incorporating this approach with a group of folders on the "One Drive".
Chapters I am Tossing Around
1. Character's Root
2. Significance
3. Technical Challenges
4. ?something about myth?

Raw data from the fabric

Raw data from the fabric tests, collecting data makes me feel productive when I don't know what else to do...

Target distance from the laser T
Distance from the laser on the X axis is Lx
Distance from the laser on the Y axis is Ly
Distance from the laser on the Z axis is Lz
Number from the calorimeter is P
Lx and Ly > 2", P = 110mV
T = 50', Lx= 1', Ly = 0', Lz = 0', P = 70mV
T = 50', Lx =3' Ly = 0',  Lz = 0', P = 45mV
T = 50', Lx 0', Ly = 1',  Lz = 0', P = 69mV
T = 50', Lx 0', Ly = 2',  Lz = 0', P = 45mV
T = 50', Lx 0', Ly = -1',  Lz = 0', P = 70mV
T = 50', Lx 0', Ly = -2',  Lz = 0', P = 43mV
T = 50', Lx 5', Ly = 0',  Lz = 0', P = 37mV

The data was so uniform on the X and Y axis, I stopped testing both, and the angle of the fabric made little difference.
T = 50', Lx 1', Ly = 0',  Lz = 15', P = 70mV
T = 50', Lx 2', Ly = 0',  Lz = 15', P = 53mV
T = 50', Lx 3', Ly = 0',  Lz = 15', P = 41mV
T = 50', Lx 5', Ly = 0',  Lz = 15', P = 35mV

T = '25, Lx= 1', Ly = 0', Lz = 0', P = 70mV
T = '25, Lx= 2', Ly = 0', Lz = 0', P = 52mV
T = '25, Lx= 3', Ly = 0', Lz = 0', P = 46mV
T = '25, Lx= 5', Ly = 0', Lz = 0', P = 38mV

Laser off to adjust for ambient light
Lx= 1', Ly = 0', Lz = 0', P = 25-27mV
Lx= 2', Ly = 0', Lz = 0', P = 25-27mV
Lx= 3', Ly = 0', Lz = 0', P = 25-27mV
Lx= 5', Ly = 0', Lz = 0', P = 30mV

The "sweet spot" is clearly visible, expanding with the distance from the target, on the ground glass screen when it is in proximity to the laser.






Friday, September 11, 2015

Blogger is screwing with me

Posts are not working right now, and the things that are posting, are not coming out right...

Myth, Ritual, and What That Means to Geese

I got a copy of Joseph Campbell's The Power of Myth, and I have a meeting with Professor Jones on 09/15 to discuss mythology, growing up, ritual, and ways make the audience love the character.

Transformation and  Heros


https://www.youtube.com/watch?v=kJwPIiUPfK4

Trixter Heroes


https://www.youtube.com/watch?v=JM10AvJ3bsM

Myth and Star Wars




Interests in Myth and Religion

  1. Using ritual to make the audience develop an attachment to the character and translation of ritual into interactive media
  2. Structure of anti-hero stories and stories about the abandonment of youth
  3. Common features of stories that resonate.
  4. The structure of the story and the emotional path I want the audience to follow

Definitely Relevant

"The Wolftrap: Into the Woods with Fairy Tales"

Thursday, September 17, 2015 - 4:30pm to 5:30pm
Room 165 Thompson Library
Maria Tatar
Fairy tales are known to have a high coefficient of weirdness, and their tropes feature prominently in the anxieties of figures ranging from Freud’s Wolfman to Alan Turing.   Although these stories appear to have migrated from the childhood of culture into the culture of childhood, they continue to haunt the adult imagination.  What accounts for the cultural tenacity of a “simple story” like “Little Red Riding Hood”?  What kinds of vexing contradictions and unintelligible truths lurk beneath the intelligible surfaces?  We will trace the path of the girl made famous by Charles Perrault and the Brothers Grimm and interrogate what happens when that path bifurcates into children’s stories and adult entertainments. 
Maria Tatar is the John L. Loeb Professor of Germanic Languages and Literatures.  She chairs the Program in Folklore and Mythology at Harvard University, where she teaches courses in German Studies, Folklore, and Children’s Literature. She is most recently author of The Annotated Peter Pan(W. W. Norton & Co., 2011) and Enchanted Hunters: The Power of Stories in Childhood (W. W. Norton & Co., 2009)
Co-sponsored with the Department of Germanic Languages and Literatures and the Center for Folklore Studies.

Wednesday, September 9, 2015

New Light Meter; Extensive Tests with the Fabric.

The calorimeter I have with the best sensitivity is designed as a part of a laser power meter that is not very sensitive, so I could not find any charts that break down the output for calibration, but the results were extremely consistent, so it should work for my use.

Best guess... A microwatt of light in the 7mm diode outputs about one millivolt; give or take 10mW or 10mV.

The ambient light on my unlit porch from the streetlights tens of meters away and my neighbors' porch lights was between 25mV and 27mV, and the light back from the fabric within 2" of the source was about 100mV. The laser was 65mW (It is beyond the range of the sensor, so I need to split it up before I can measure it relative to the returning light).
3 targets at 10', 25' and 50'

Emotional Attachment.

Things that will help build an attachment

In order to get the audience to experience loss when Tuba-goose gives up, they need to grow an attachment for him...


Ordeal builds attachment with admiration
Heroes on a mythical journey overcome an ordeal.
Ideas for application:
Should the story begin with Tuba-Goose as a normal goose, and his journey is into the human world?
Should I try to build attachment through another ordeal.

His ordeal the struggle to fit in (gain respect?). He attains a piece, realizes will never be real, and abandons it. This should be an acceptance of defeat, not a victory.

Gilgamesh breaks the rules:
http://genrehacks.blogspot.com/2013/11/real-myths-are-weird.html


Witnessing injustice builds empathy for the victim
Ideas for application:
Maybe if the audience sees Tuba-Goose enduring poor treatment...
Examples:
https://en.wikipedia.org/wiki/Brother%27s_Keeper_(1992_film)
https://www.pinterest.com/pin/6966574395030477/


The Incredibles DVD mentioned a character who was supposed to die, but he was cut because it wold take too much time to get the audience to feel an attachment for him.








Sunday, September 6, 2015

Test Shots

I had some trouble getting the test shots I needed last night. The "sweet spot" for the retro reflective fabric expands as the projector gets farther from the material, so it is not effective if you are not very close to the projector, when the projector is close to the fabric.
My laser power meter died recently, so I am going to grab a multimeter, and do some more tests with a calorimeter tonight....

I have 2 Thorlabs SM05PD1A and some other miscellaneous photodiodes to put together a light meter.
I do not have a spectrograph, and LED light is very different from what I expect to find in the environment (tungsten, high pressure sodium, and mercury vapor), so the results might be a bit off, but it is a place to start.

1 lux =1683wattsm2 @ 556 nm


Light Measurement Equivalents and Common Illumination Levels:

- 1 square meter (M2) = 10.7638 ft2 
- 1 LUX is defined as 1 lumen/ M2 of a surface; thus 1 LUX= 0.0929 FC, 
- 1 foot candle (FC) is 1 Lumen/ ft2 of a surface; thus 1 FC=10.7638 LUX 
- There are 12.57 square meters on the surface of a 1 meter radius sphere.

In real life objects are illuminated and measured in LUX:

- Full Daylight is about 10,000 LUX (imagine 10,000 lumens each and every square meter!) 
- Cloudy day is about 1,000 LUX 
- A lighted parking lot at night is about 10 LUX (average) 
- A full moon is about 0.1 LUX 

Possible fixes:


1. I could get more, smaller projectors. The smaller size makes it wasier to get in the "sweet spot", and with more, I would have "sweet spots;" effectively enlarging the viewing angle. This would mean bringing a large number of expensive tiny electronics to a large crowd that is likely to have a number of pick pockets and intoxicated people.

ShowWX

Laser pico projectors have a crisp image with no need to focus, but they are more expensive (retail at $350) and often not as bright as LED
http://www.ebay.com/itm/Microvision-ShowWX-Laser-Pico-Projector-/281787157456?hash=item419bd2cbd0

No Name
Only $45, but it's bigger, the contrast is terrible, and the resolution is 320X240... 400 Lumens? (right)
http://www.ebay.com/itm/HDMI-LED-Mini-pico-Projector-with-TV-USB-For-Game-Movie-Laptop-story-beamer-US-/161479486495?hash=item2598ed6c1f

MP60

Open Box for $115 Retails for $250), Good contrast, HDMI input, 854 x 480, 85 lumens (gets good reviews)

Optoma PK100


2. I could build a zoom for the projectors and mount them farther away, but I am not sure if I have enough achromatic lenses of the diameter I would need. I might have a couple old camera lenses I could scavenge.



3. Build some kind of puppet
The hard part would be the small tuba (sousaphone). Used off brand trumpets are cheap (many under $50). French horns are a bit more (Some under $100), and old melophones can be cheap (often around $50 for a beat up one), but I can't find anything with the bent bell under $200. Tubas and sousaphones are not cheap at all.


This would be perfect, but it is about $750








Maybe a bell from one of these

Beat up french horn for $30

Selmer French Horn $80






Saturday, September 5, 2015

Tale of Tales



I just watched Tale of Tales
My mind is a little blown. The movie is a collage of twisted fairy tales that are so gruesome, erotic, and violent, one would never imagine exposing a child to any part of them...
It is based on Pentamerone (The Tale of Tales, or Entertainment for Little Ones), a 17th century book of fairy tales by Giambattista Basile. His work was also behind a few of The Brothers Grimm's fairy tales..
I am starting to read his work... From what I have seen, this man's work takes disturbing children's literature to a level that I never imagined... Wow...
https://www.gutenberg.org/files/2198/2198-h/2198-h.htm#chap01

Tuesday, September 1, 2015

Rough Calendar

Magician Style Video editing with geese

 

 

 

Experiential Design timeline

Organizer

Jonathan Welch

Provoking a Predetermined Script From an Audience of Unwitting Actors With a Specially Designed Digital Puppet

 

 

 

Project Phase

Starting

Ending

Phase 1

RetroReflective shooting

9.2.2015

9.7.2015

Phase 2:

Testing the footage with keylight

9.7.2015

9.9.2015

Phase 3:

Make adaptations and reshoot if necessary

9.9.2015

9.13.2015

Phase 4:

Produce proof of concept video with a rough rig from multiple angles

9.14.2015

9.21.2015

Phase 5:

Design the final rig

9.21.2015

9.28.2015

Phase 6:

research and test audience prompts

9.28.2015

10/12/2015

Phase 7:

Create interactive goose interface

10.12.2015

10.19.2015

Phase 8:

live run at high ball

10.23.2015

10.24.2015

Phase 9:

Edit footage

10.26.2015

11.2.2015

Phase 10:

add goose interacting with audience

11.2.2015

11.9.2015

Phase 11:

Animate lake shot

11.9.2015

11.30.2015

Phase 12:

shoot Lake shot

11.24.2015

11.25.2015

Phase 13:

mix all the footage together

10.26.2015

12.7.2015

Phase 14:

audio

11.1.2015

12.7.2015

Phase 15:

revel is success

12.8.2015

12.8.2015

 

 

 

 

 


 

Details

Phase 1: shoot retro reflective fabric under different lighting conditions, from different angles with projectors and led keylights to determine limitations

Phase 2: test the footage to see how the greenscreen software performs with the projectors

Phase 3: make adaptations, test, and reshoot

Phase 4: produce a rough proof of concept video with fabric and goose

Phase 5: design a rig for optimal performance with the cameras and projectors that can be dragged out to a public event interacting with an audience of strangers

Phase 6: test videos to prompt the audience into saying dialogue that promotes the script

Phase 7: create a goose (loop interface?) that interacts with the audience to provoke the proper response

Phase 8: take the rig to High Ball to get the shots

Phase 9: edit the raw footage down to just the useful shots

Phase 10: add the CGI goose to the footage from High Ball

Phase 11: animate the lake shot where tuba goose sets down the tuba to become a regular goose

Phase 12: shoot the Mirror Lake on Nov 24th at Mirror Lake after Michigan “go jump in a lake” tradition

Phase 13: mix the footage

Phase 14: audio

Phase 15: sit in awe at the probably impossible accomplishment

 

 

 

 

 

September

October

November

December

S

M

T

W

T

F

S

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

 

 

 

 

 

S

M

T

W

T

F

S

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

 

 

 

 

 

S

M

T

W

T

F

S

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

 

 

 

 

 

S

M

T

W

T

F

S

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31