Tuesday, April 21, 2015
Monday, April 20, 2015
Sunday, April 19, 2015
Saturday, April 18, 2015
Thursday, April 16, 2015
Trying to match the composite shots for the "hard shot" has lead to a lot of grief, so I re-shot with every element on a different layer (I got the idea from The Wachowski's Speed Racer, which I did a report on last semester in history of animation.). The new layers are much easier to manipulate and I don't have to worry about perfectly matching the edge of the desk, or anything being off in color, because the entire background, the goose and myself are on independent layers.
The Background is a high resolution still. I went with a Kubrick style single point perspective, but I have many angles, if I decide to change my mind.
The foreground was done with the retro-reflective green-screen. It worked very well because I could pull the camera back and reduce the shadow outline with minimal noise.
And I am still reanimating the goose for this shot... It has not been easy.
Sunday, April 12, 2015
Saturday, April 11, 2015
Tuesday, April 7, 2015
Saturday, April 4, 2015
RetroReflective Green Screen
The retro reflective material reflects light back at the source, do a green screen does not scatter a lot of green light around the room and on the subject. The down side is that if you are too close to the camera, the green light lights the subject and the shadow effects the screen.
Raw footage
A shot from a few feet from the camera
A shot close to the camera's perspective
The lighting setup I used to make the shots
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